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Episode 1 presented in black & white

Episode 2 presented in black & white

Episode 3 presented in black & white

Episode 4 presented in black & white

Episode 5 presented in black & white

Episode 6 presented in black & white

Episode 1 presented in colour

Episode 2 presented in colour

Episode 3 presented in colour

Episode 4 presented in colour

Episode 5 presented in colour

Episode 6 presented in colour

A look at what was involved in animating this missing serial

Discussing episodes 1 and 5

Discussing episode 2

Discussing episode 3

Discussing episode 4

Discussing episode 6

Discussing episodes 1 and 5

Discussing episode 2

Discussing episode 3

Discussing episode 4

Discussing episode 6

8mm film shot by designer, Tony Cornell, at Ealing Film Studios in March 1968; set to music and sound effects

The only specially-shot footage that survives from this serial

Production information and story facts presented via subtitles

Production information and story facts presented via subtitles

Production information and story facts presented via subtitles

Compilation of film inserts, along with censor edits recovered from Australia; includes a reconstruction of the episode 6 climax

Peter Day, with his colleague MichaelJohn Harris, discusses his contribution to this serial (recorded in 2002)

Photos from the production of this serial set to background sound effects

Victor Pemberton chats backstage at the Flight Through Eternity convention, on 13 April 1988

Radio Times listings

Camera script for episode 1

Camera script for episode 2

Camera script for episode 3

Camera script for episode 4

Camera script for episode 5

Camera script for episode 6

Teaser trailer for this release

Telesnap reconstruction of episode 1 (with optional narration)

Telesnap reconstruction of episode 2 (with optional narration)

Telesnap reconstruction of episode 3 (with optional narration)

Telesnap reconstruction of episode 4 (with optional narration)

Telesnap reconstruction of episode 5 (with optional narration)

Telesnap reconstruction of episode 6 (with optional narration)

Cast members revisit the locations of this serial and recall their time on the production

Seven-part drama, broadcast from February to March 1966, which was the inspiration for this serial. Can be listened to in its entirety, or as individual episodes.

Episode 1 presented in black & white

Episode 2 presented in black & white

Episode 3 presented in black & white

Episode 4 presented in black & white

Episode 5 presented in black & white

Episode 6 presented in black & white

Episode 1 presented in colour

Episode 2 presented in colour

Episode 3 presented in colour

Episode 4 presented in colour

Episode 5 presented in colour

Episode 6 presented in colour

A look at what was involved in animating this missing serial

Discussing episodes 1 and 5

Discussing episode 2

Discussing episode 3

Discussing episode 4

Discussing episode 6

Discussing episodes 1 and 5

Discussing episode 2

Discussing episode 3

Discussing episode 4

Discussing episode 6

8mm film shot by designer, Tony Cornell, at Ealing Film Studios in March 1968; set to music and sound effects

The only specially-shot footage that survives from this serial

Production information and story facts presented via subtitles

Production information and story facts presented via subtitles

Production information and story facts presented via subtitles

Compilation of film inserts, along with censor edits recovered from Australia; includes a reconstruction of the episode 6 climax

Peter Day, with his colleague MichaelJohn Harris, discusses his contribution to this serial (recorded in 2002)

Photos from the production of this serial set to background sound effects

Victor Pemberton chats backstage at the Flight Through Eternity convention, on 13 April 1988

The disc case is wrapped in a specially-designed cardboard "O-Ring" sleeve

Radio Times listings

Camera script for episode 1

Camera script for episode 2

Camera script for episode 3

Camera script for episode 4

Camera script for episode 5

Camera script for episode 6

Double-sided cover with the original "grey roundels" design on one side, and a version with updated logos and/or design on the other

Teaser trailer for this release

Telesnap reconstruction of episode 1 (with optional narration)

Telesnap reconstruction of episode 2 (with optional narration)

Telesnap reconstruction of episode 3 (with optional narration)

Telesnap reconstruction of episode 4 (with optional narration)

Telesnap reconstruction of episode 5 (with optional narration)

Telesnap reconstruction of episode 6 (with optional narration)

Cast members revisit the locations of this serial and recall their time on the production

Seven-part drama, broadcast from February to March 1966, which was the inspiration for this serial. Can be listened to in its entirety, or as individual episodes.

Episode 1 presented in black & white

Episode 2 presented in black & white

Episode 3 presented in black & white

Episode 4 presented in black & white

Episode 5 presented in black & white

Episode 6 presented in black & white

Episode 1 presented in colour

Episode 2 presented in colour

Episode 3 presented in colour

Episode 4 presented in colour

Episode 5 presented in colour

Episode 6 presented in colour

A look at what was involved in animating this missing serial

Discussing episodes 1 and 5

Discussing episode 2

Discussing episode 3

Discussing episode 4

Discussing episode 6

Discussing episodes 1 and 5

Discussing episode 2

Discussing episode 3

Discussing episode 4

Discussing episode 6

8mm film shot by designer, Tony Cornell, at Ealing Film Studios in March 1968; set to music and sound effects

The only specially-shot footage that survives from this serial

Production information and story facts presented via subtitles

Production information and story facts presented via subtitles

Production information and story facts presented via subtitles

Compilation of film inserts, along with censor edits recovered from Australia; includes a reconstruction of the episode 6 climax

Peter Day, with his colleague MichaelJohn Harris, discusses his contribution to this serial (recorded in 2002)

Photos from the production of this serial set to background sound effects

Victor Pemberton chats backstage at the Flight Through Eternity convention, on 13 April 1988

The disc case is wrapped in a specially-designed cardboard "O-Ring" sleeve

Radio Times listings

Camera script for episode 1

Camera script for episode 2

Camera script for episode 3

Camera script for episode 4

Camera script for episode 5

Camera script for episode 6

Double-sided cover with the original "grey roundels" design on one side, and a version with updated logos and/or design on the other

Teaser trailer for this release

Telesnap reconstruction of episode 1 (with optional narration)

Telesnap reconstruction of episode 2 (with optional narration)

Telesnap reconstruction of episode 3 (with optional narration)

Telesnap reconstruction of episode 4 (with optional narration)

Telesnap reconstruction of episode 5 (with optional narration)

Telesnap reconstruction of episode 6 (with optional narration)

Cast members revisit the locations of this serial and recall their time on the production

Seven-part drama, broadcast from February to March 1966, which was the inspiration for this serial. Can be listened to in its entirety, or as individual episodes.

Taken from episode 6

Taken from episode 6

Taken from episodes 1, 2, 4, and 5